****½
The fear of offending is stronger than the fear of pain.
Martin Vanger–Stellan Skarsgard–makes an interesting point by addressing just how powerful social norms are. The Vanger family, one of Sweden’s richest, abides by those norms, but ignore each other. That and one of them is a murderer. As Mikael Blomkvist–Daniel Craig–says to Lisbeth Salander–Rooney Mara, “I want you to help me catch a killer of women.” I wanted her to help, but I also agreed with her boss—played by Goran Visnjic, “She’s had a rough life.” Lisbeth may be a victim, but she does not let that define her. She is brave, intelligent and technologically saavy. She and Mikael race to find this killer, but that challenge is not the entirety of story.
I think that David Fincher is a great director and he overcame some great challenges to make this film work. The opening credits are set to a cover of my favorite Led Zeppelin song, and I could see that turning off people older than I am, which is interesting considering that only Lisbeth is south of 40. The story also begins with Lisbeth’s report on the background check she did of Mikael, but she does not join the primary mystery for almost half of the film. That means that Fincher must tell the story of his main character, without having her engaged in the mystery. Of course she has a busy life of her own, one that includes muggings and sexual assaults. Deciding how much to show and what to show must have been challenging, but Fincher has never shied away from the horror of violence, nor given in to its seduction–like Taken or The Expendables. I have heard that the second and third installments went downhill in the books and Swedish movies. Hopefully David Fincher can work his magic and only improve on this start, because I want to know to root for Lisbeth more.