****½
You know, my problem is that I can’t speak like them. I’m hot tempered.
A Separation is just a film. But the issues it addresses are myriad and mighty. Set in Iran, it provides marriage, child raising, gender roles, legal, religious and integrity issues. I brought to this film a little bit of knowledge of how the Iranian divorce system and justice system operated. That said, everyone I know watches this film as a foreigner, and unless you are Iranian, you will too.
What gets people to watch this is that the issues and characters are universal, without being archetypes. Still, as an Iranian film made in Arabic*, I think the director presents Nader, the father, as the sympathetic one initially. Yet, as an American, his Muslim wife who seeks to leave the country with her daughter so that she may have a brighter future probably appeals to a majority of people here. So whose side are we on? I find that an interesting difference from Hollywood movies made in English and aimed at me, or people of my skin color who are just looking for explosions or cheesy romance. The only explosions in this came from the tense scenes involving another Hojjat, the husband of the woman who comes to take care of…it does not matter. He is electric and 100% human, despite being the most dangerous character.
So the characters in this are fascinating, but it would be dishonest to imply that I enjoyed this movie. Its protagonists, if any can be considered protagonists besides the 11 year old daughter, are all so flawed. Thus the director gives us information, but not all of the information, and then lets us take sides before dropping his bombs. The end of the film is just like the beginning—it is just a film.
*According to a source I trust the film is apparently in Farsi, not Arabic.