I decided that film series do not need to be taken as a whole. For instance, I only looked at Police Academies 1, 2 and 4. That is a lie, despite my young love of Mahoney, Jones and Hightower, those movies do not hold up, so I did not consider them. I did consider the Naked Gun movies, but the original is the only classic among them. Thus, literally every single movie that I put on my list is at least a good movie as part of a great trilogy, and yes that includes The Godfather Part III.
In my selection process I tried to be as expansive as possible, including thematic trilogies as well as numerical ones. Movies that exist in the same universe counted. Not even all of the trilogies had the same directors or actors. Yet the films had to be taken together. Did the third/final chapter wrap things up? Was it something that could be watched on loop? Did it have a lasting impact on cinema? Weighty questions, to be sure, now, here are my ten:
10. The Jackass Trilogy (Jackass the Movie, Jackass 2, Jackass 3-D). I hesitated to do my list in reverse order because the Jackass movies are incredibly polarizing. They are not traditional fictional films. But neither are they traditional documentaries either. They are a series of stunts, pranks, and skits. They are bound together and packaged for as many laughs and shudders as possible. Based on a tv show, the first movie tried to rekindle the magic of a league of less than professional daredevils looking to put 90 minutes of material together. By the third movie, these haggard men were no longer as young, spry or dumb as they once were. It is with a sense of reunion and nostalgia that they team up for one last go at that magic. They know that this is probably their last public appearances that will not be both pathetic and depressing. They make the most of their team and show how far they have come. And there are a lot of penis gags.
9. The moody films of Wong Kar Wai (Chungking Express, Fallen Angels, In The Mood For Love, 2046). For those of you familiar with his films, it is easy to look at Chungking Express and Fallen Angels as a pair and In The Mood For Love and its “sequel” 2046 as one as well, but I think that they all fit together under the umbrella of his films ruminating on people “in the mood for love.” When I say “mood,” I mean the situations tend to interfere with anything more than that mood. I find that to be an interesting distinction that he has drawn from general romance films.
8. The original James Bond trilogy (Dr. No, From Russia With Love, Goldfinger). These three movies are: the first three of the entire set, the best starting three, and the best three in a row. These films birthed an extremely successful, long running franchise that has alternately led the way for or reflected contemporary cinema. Sean Connery’s James Bond made spies cool. He helped make gadgets cool, so who knows what Jason Bourne and Batman would look like in a world without James Bond.
7. Chan-wook Park’s Vengeance Trilogy (Sympathy for Mr. Vengeance, Oldboy, Lady Vengeance). Oldboy was the first Korean film I ever saw. I listed it as the best film of 2003, yet I have seen X2 and Return of the King many more times than Oldboy. So Oldboy made me want to see the rest of the trilogy, but it took me six years to watch the other two. That is because these are challenging, disturbing films that generally have a powerful warning—be careful seeking vengeance. If you think that you have nothing left to lose, or that you are back in control of your life, be grateful and take what you can get. If you want to see people try to get the perfect revenge, these realistic “horror” movies are must views. It is worth noting that these films have different ground rules, which differentiate these from most trilogies.
6. The Man With No Name Trilogy (A Fistful of Dollars, For a Few Dollars More, The Good, The Bad and the Ugly). These are the seminal spaghetti westerns. They featured the talents of Sergio Leone’s direction, Clint Eastwood and Gian Maria Volonté’s acting, and Ennio Morricone’s music. My favorite of these is For a Few Dollars More. Most people seem to like The Good etc… most and I can see why. It has a grandeur that the others lack as well as the dynamic addition of Eli Wallach as the Ugly. And I cannot think of three better film endings than these showdowns. Each one raising the stakes and the tension from the previous.
5. The Godfather Trilogy (The Godfather, The Godfather Part II, The Godfather Part III). Al Pacino and Robert De Niro are great actors and their best performances are in these films. Everyone accepts the first two, but likes to trash on the third. Maybe it has Andy Garcia’s best performance, I do not remember. As a positive, you can learn what happened to the Corleone family after Part II, about how the family adapted over time. People are watching Dallas now because they are curious what happened after that soap opera. Francis Ford Coppola made two of the best operatic dramas ever, so finding out what happens is a bonus, despite its alleged failure to live up to the name Godfather.
4. Dark Knight Trilogy (Batman Begins, The Dark Knight, The Dark Knight Rises). I think that this version of Batman has received such a positive reaction for the same reason this works as a trilogy—Christopher Nolan’s singular vision. None of the characters are original, but he certainly makes them all his. By having that vision and those takes on characters the last chapter tied it all up and added greater meaning to the earlier films, as well as the trilogy as a whole. Of the already mentioned series, only Lady Vengeance, and to a lesser extent Jackass 3-D, can make the same claim.
3. Bourne (The Bourne Identity, The Bourne Supremacy, The Bourne Ultimatum, The Bourne Legacy). The best way to discuss the Bourne Saga—in one sentence—is by starting with the development to its booming crescendo and then addressing its downfall. Identity broke the mold allowing the even greater Supremacy to pave the way for the high stakes Ultimatum, before the okay Legacy kind of undermined the importance and permanence of the trilogy. This series has had Doug Liman direct Identity, Paul Greengrass direct the Supremacy and Ultimatum, and Tony Gilroy direct Legacy. The key to their continuity was Gilroy, but Greengrass took Identity, a film that changed action/spy movies, and forced audiences to deal with a more uncomfortable action. It was not until Casino Royale and Dark Knight that audiences caught up to his documentary style of “shaky cam.” The last thing that helped distinguish these films were the scores, combining traditional orchestral music with electronica, for which John Powell deserves credit.
2. The Lord of the Rings (The Fellowship of the Ring, The Two Towers, The Return of the King). I could watch this trilogy probably six times a year. And when I say this trilogy, I mean The Lord of the Rings in its full extended edition format. I love the style, the music, the costumes, the quests, the characters, the dialogue, the actors, the fights and the melancholy. I could write a post as long as this one with all the problems in the series—particularly with the theatrical release of The Two Towers—but this is the second best film trilogy of all-time and that is because there is so much to analyze, to critique. I find it interesting that like The Dark Knight Trilogy, one man, Peter Jackson, directed them all, but unlike it, two women wrote the screenplays. So there was a unity in each department, but not of one vision. Interesting particularly in light of the best trilogy of all-time…
1. The Original Star Wars Trilogy (Star Wars: A New Hope, The Empire Strikes Back, Return of the Jedi). This trilogy had three different directors, with George Lucas only directing Star Wars. Yet it was his vision that permeates this unlikely best trilogy. It might seem obvious now, but look at all the trouble he had in 1977 with a cast of one known—Alec Guinness, who asked for Lucas to kill off his character—no special effects help, three different directors, changing villains, and a love of little people dressed up in fuzzy costumes. I would like to add that my favorite version of this trilogy was my THX remastered VHS set. So in spite of Lucas’s insistence on futzing and messing with this saga, it endures with both its original trilogy and its lasting impact. Cue the John Williams score!